She also returned to Houston Grand Opera to sing Micaëla in a concert version of Carmen. Her 2013–2014 season included returns to Opera Theatre of Saint Louis as Blanche in Dialogues of the Carmelites, to Minnesota Opera in the title role of Manon Lescaut, to Lyric Opera of Kansas City as Rosalinde in Die Fledermaus and debuts with Houston Grand Opera as Katja in Weinberg’s Die Passagierin, and Utah Opera as Liù in Turandot. Other roles included Katya in The Passenger with Lyric Opera of Chicago, and Helmwige in Die Walküre with Houston Grand Opera. Her engagements in the 2014–2015 season included performances with Minnesota Orchestra, Canadian Opera Company, and Florida Grand Opera as the title role in Madama Butterfly. Kaduce returned to Minnesota Opera as the title role in both Tosca and Rusalka, and Wendy for the world premiere of Moravec’s The Shining Boston Lyric Opera as Mimì in La bohème and to Houston Grand Opera as Tosca. Her engagements in the 2016–2017 season include Nedda in I pagliacci with Virginia Opera, Liù in Turandot with Atlanta Opera, and a role debut as Desirée Armfeldt in Sondheim’s A Little Night Music with Des Moines Metro Opera. Kaduce debuted with Des Moines Metro Opera as Alice Ford in Falstaff, and performed Giorgetta in Il tabarro with Bard Music Festival.
For her creation of the title role in Anna Karenina, Opera News proclaimed her “an exceptional actress whose performance was as finely modulated dramatically as it was musically … and her dark, focused sound was lusty and lyrical one moment, tender and floating the next.” Praised for “shining a bright light on operatic stages around the country” ( Minneapolis Star Tribune), soprano Kelly Kaduce is a national audience and critic favorite.
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